25. Childe Harold’s Pilgrimage. Canto the third. London: John Murray, 1816
KCL Rare Books Collection PR 4372.F2
At the end of August 1816 the poet Percy Bysshe Shelley bade farewell to Byron at Geneva and transported a fair copy, written out by Claire Clairmont, of Canto III of Childe Harold’s Pilgrimage back to England to John Murray. On 12 September Murray reported to Byron that William Gifford had praised it as ‘the most splendid original & interesting … the most finished’ of his writings.
The poem was published on 18 November 1816 and Byron received news of its publication in January 1817. In various letters, however, he expressed concerns about any editorial changes. For example on 13 January 1817 he wrote to Augusta Leigh: ‘If Murray has mutilated the MS. with his Toryism, or his notions about family considerations I shall not pardon him & am sure to know it sooner or later & to let him know it also.’
Commenting on the Waterloo stanzas in the Quarterly Review 16, pages 191-4, Walter Scott lamented:
That Lord Byron’s sentiments do not correspond with ours is obvious, and we are sorry for both our sakes … we cannot trace in Lord Byron’s writings any systematic attachment to a particular creed of politics, and he appears to us to seize the subjects of public interest upon the side in which they happen to present themselves for the moment, with this qualification, that he usually paints them on the shaded aspect, perhaps that their tints may harmonize with the sombre colours of his landscape.
In this exhibition
- Acknowledgements & foreword
- Introduction
- Introduction
- 1. Manuscript of Byron’s ‘Detached Thoughts’, number 84
- 2. Manuscript copy of Byron’s ‘Detached Thoughts’, annotated by Sir Walter Scott, 1825
- 3. Letter from Byron to John Cam Hobhouse, 27 February 1808
- 4. Thomas Medwin's Journal of the Conversations of Lord Byron
- 5. John Cam Hobhouse's Journey through Albania
- Britannia: Parliament, party & the Prince
- Introduction to: Britannia: Parliament, party & the Prince
- 6. Byron’s draft parliamentary speech on Roman Catholic emancipation, 1812
- 7. Letter of Lord Sligo to Byron, 20 February 1812
- 8. The Parliamentary Speeches of Lord Byron
- 9. Byron’s manuscript of ‘Note to the annexed stanzas on Brougham’, 7 December 1818
- 10. Letter from Byron to Lady Melbourne, 21 September 1813
- 11. Byron’s ‘Ode to the Framers of the Frame Bill,’ Morning Chronicle, 2 March 1812
- 12. Manuscript of Byron’s ‘Lines to a Lady Weeping,’ 1812
- 13. Letter from Byron to John Murray II, 22 January 1814
- 14. ‘Song for the Luddites’
- 15. King’s Colledge [sic] to wit: a practical essay
- Napoleon: Emperor, expectation & exile
- Introduction to: Napoleon: Emperor, expectation & exile
- 16. & 17. Byron’s collection of Waterloo spoils (objects and livret)
- 18. Manuscript of Byron’s additional stanzas to ‘Ode to Napoleon Buonaparte,’ 1814
- 19. Letter from Byron to John Murray II, 10 April 1814
- 20. Don Juan, Canto IX, stanza 4
- 21. Byron’s ‘Ode to Napoleon’ in The Examiner
- 22. Bill for a Napoleonic snuff box, 7 November 1818
- 23. Letter from Byron to John Murray II, 4 December 1821
- 24. Manuscript of Byron’s Childe Harold’s Pilgrimage, Canto III, stanzas 19-21
- 25. Childe Harold’s Pilgrimage. Canto the third. London: John Murray, 1816
- 26. ‘On the Star of “The Legion of Honour” (From the French)’, 1815
- 27. Poems on Napoleon
- 28. Letter from Byron to John Murray II, 22 January 1814
- 29. Manuscript of Byron’s ‘From the French,’ stanzas 3-5, in the hand of Augusta Leigh with annotations by Byron, 1815
- Italy: politics, patriotism & plays
- Introduction to: Italy: politics, patriotism & plays
- 30. Marino Faliero, fragmentary proof for the first edition, 1820, corrected by Byron
- 31. & 32. Playbill for a performance of Marino Faliero, 1821, with accompanying letter defending the performance
- 33. Public notice about a performance of Byron’s Doge of Venice, 1821
- 34. Letter from Byron to John Murray II, 28-9 September 1820
- 35. & 36. Letters from Byron to John Cam Hobhouse, 26 April and 12 October 1821
- 37. The Two Foscari. An historical tragedy
- 38. Notes in Italian, in an unknown hand, used by Byron for Marino Faliero
- 39. ‘Foscari’ by John Rogers Herbert
- 40. Pencil and watercolour sketch of Byron at Genoa, attributed to Count Alfred D’Orsay, April or May 1823
- 41. Byron’s swordstick
- Greece: Hellenism & heroism
- Introduction to: Greece: Hellenism & heroism
- 42. Sculpted portrait bust medallion of Byron in Albanian dress by Nikolaos Kotziamanis, 1992, after Thomas Phillips’ portrait, 1813
- 43. Letter to Byron from the London Greek Committee, 8 March 1823
- 44. Letter of Metropolitan Ignatios to Mavrokordatos, in Greek, introducing Lord Byron, 1823
- 45. Manuscript of ‘On This Day I Complete My Thirty- Sixth Year’, in Byron’s Cephalonia Journal, 1824
- 46. Commission giving Lord Byron charge of a group of artillery signed by Alexandros Mavrokordatos
- 47. 'View of Albanian palikars in pursuit of an enemy'
- 48. Part of a letter or memorandum from Mavrokordatos to Byron, in French, 21 or 22 March 1824
- 49. William Parry's The Last Days of Lord Byron
- 50. Leicester Stanhope's Greece, in 1823 and 1824
- 51. Divers sièges de Missolonghi
- 52. Translation of the funeral oration delivered in Greek by M Spiridon Tricoupi ... in honour of the late Lord Byron
- 53. Byron’s War: Romantic Rebellion, Greek Revolution by Roderick Beaton
- Editions used as sources