Introduction
‘The Consequence is, being of no party,
I shall offend all parties: – never mind!’
Don Juan ix.26
Case 1George Gordon, sixth Lord Byron (1788-1824), was, like his own Don Juan, ‘born for opposition’ (Don Juan xv.22). In his relatively humble childhood in Scotland we can perhaps trace the beginnings of his association with radical reform and the rights of the disadvantaged and oppressed, whether Nottinghamshire textile workers or Italian and Greek patriots. Byron’s elevation to the British peerage in 1798 complicated his political outlook, however, as it brought with it the right to sit in the House of Lords. Byron was initially earnest in pursuing a parliamentary career, but although he detested the ruling Tory party he was unable or unwilling to find political harmony with the opposing Whigs. A scathing review of his early poetry in the Whig-orientated Edinburgh Review certainly did not help to strengthen his party allegiance.
The growing success of his poetry offered him an alternative to Parliament and party as an outlet for political expression. Although his early and politically radical short poems were often published anonymously, he increasingly incorporated political themes and issues openly into his later and larger works, published under his name or known to be by him.
Byron’s youthful travels in the Mediterranean between 1809 and 1811 laid the foundation for his interest in national and patriotic causes, which were agitated all over Europe by the rise and fall of Napoleon Bonaparte. Byron’s later Napoleonic verses worked out his disappointment at the fall of the era’s greatest political reformer and, when he left Britain in 1816, one of his first continental destinations was the battlefield of Waterloo, where he again reflected on his hero’s downfall.
Travel liberated and enlivened Byron in many ways, including politically. He became involved in patriotic movements in Italy and subsequently in Greece, and the difficulties and frustrations of enacting political change are reflected in his letters, journals and poetry. Despite a growing pragmatism, however, he retained an optimism and passion for political causes right up to his death in Missolonghi in western Greece, whilst supporting the Greek struggle for independence.
In this exhibition
- Acknowledgements & foreword
- Introduction
- Introduction
- 1. Manuscript of Byron’s ‘Detached Thoughts’, number 84
- 2. Manuscript copy of Byron’s ‘Detached Thoughts’, annotated by Sir Walter Scott, 1825
- 3. Letter from Byron to John Cam Hobhouse, 27 February 1808
- 4. Thomas Medwin's Journal of the Conversations of Lord Byron
- 5. John Cam Hobhouse's Journey through Albania
- Britannia: Parliament, party & the Prince
- Introduction to: Britannia: Parliament, party & the Prince
- 6. Byron’s draft parliamentary speech on Roman Catholic emancipation, 1812
- 7. Letter of Lord Sligo to Byron, 20 February 1812
- 8. The Parliamentary Speeches of Lord Byron
- 9. Byron’s manuscript of ‘Note to the annexed stanzas on Brougham’, 7 December 1818
- 10. Letter from Byron to Lady Melbourne, 21 September 1813
- 11. Byron’s ‘Ode to the Framers of the Frame Bill,’ Morning Chronicle, 2 March 1812
- 12. Manuscript of Byron’s ‘Lines to a Lady Weeping,’ 1812
- 13. Letter from Byron to John Murray II, 22 January 1814
- 14. ‘Song for the Luddites’
- 15. King’s Colledge [sic] to wit: a practical essay
- Napoleon: Emperor, expectation & exile
- Introduction to: Napoleon: Emperor, expectation & exile
- 16. & 17. Byron’s collection of Waterloo spoils (objects and livret)
- 18. Manuscript of Byron’s additional stanzas to ‘Ode to Napoleon Buonaparte,’ 1814
- 19. Letter from Byron to John Murray II, 10 April 1814
- 20. Don Juan, Canto IX, stanza 4
- 21. Byron’s ‘Ode to Napoleon’ in The Examiner
- 22. Bill for a Napoleonic snuff box, 7 November 1818
- 23. Letter from Byron to John Murray II, 4 December 1821
- 24. Manuscript of Byron’s Childe Harold’s Pilgrimage, Canto III, stanzas 19-21
- 25. Childe Harold’s Pilgrimage. Canto the third. London: John Murray, 1816
- 26. ‘On the Star of “The Legion of Honour” (From the French)’, 1815
- 27. Poems on Napoleon
- 28. Letter from Byron to John Murray II, 22 January 1814
- 29. Manuscript of Byron’s ‘From the French,’ stanzas 3-5, in the hand of Augusta Leigh with annotations by Byron, 1815
- Italy: politics, patriotism & plays
- Introduction to: Italy: politics, patriotism & plays
- 30. Marino Faliero, fragmentary proof for the first edition, 1820, corrected by Byron
- 31. & 32. Playbill for a performance of Marino Faliero, 1821, with accompanying letter defending the performance
- 33. Public notice about a performance of Byron’s Doge of Venice, 1821
- 34. Letter from Byron to John Murray II, 28-9 September 1820
- 35. & 36. Letters from Byron to John Cam Hobhouse, 26 April and 12 October 1821
- 37. The Two Foscari. An historical tragedy
- 38. Notes in Italian, in an unknown hand, used by Byron for Marino Faliero
- 39. ‘Foscari’ by John Rogers Herbert
- 40. Pencil and watercolour sketch of Byron at Genoa, attributed to Count Alfred D’Orsay, April or May 1823
- 41. Byron’s swordstick
- Greece: Hellenism & heroism
- Introduction to: Greece: Hellenism & heroism
- 42. Sculpted portrait bust medallion of Byron in Albanian dress by Nikolaos Kotziamanis, 1992, after Thomas Phillips’ portrait, 1813
- 43. Letter to Byron from the London Greek Committee, 8 March 1823
- 44. Letter of Metropolitan Ignatios to Mavrokordatos, in Greek, introducing Lord Byron, 1823
- 45. Manuscript of ‘On This Day I Complete My Thirty- Sixth Year’, in Byron’s Cephalonia Journal, 1824
- 46. Commission giving Lord Byron charge of a group of artillery signed by Alexandros Mavrokordatos
- 47. 'View of Albanian palikars in pursuit of an enemy'
- 48. Part of a letter or memorandum from Mavrokordatos to Byron, in French, 21 or 22 March 1824
- 49. William Parry's The Last Days of Lord Byron
- 50. Leicester Stanhope's Greece, in 1823 and 1824
- 51. Divers sièges de Missolonghi
- 52. Translation of the funeral oration delivered in Greek by M Spiridon Tricoupi ... in honour of the late Lord Byron
- 53. Byron’s War: Romantic Rebellion, Greek Revolution by Roderick Beaton
- Editions used as sources