Representations in popular culture
Baron’s corruption of the traditional barber shop was a cause of much popular resentment. The veteran music hall singer Herbert Campbell likened his activities to the ‘Demon Barber of Fleet Street.’
In the Modern Sweeny Todd, Campbell sang:
When a foreigner comes you can bet ten quid,
He’ll pinch your trade like this one did
In the Strand. In the Strand. In the Strand. In the Strand.
Then after a while the Joker begins
To scrape our ‘Oof’ and scrape our chins
In the Strand. In the Strand. In the Strand. In the Strand.
This Foreign Todd the Barber – has shown – you’ll own
That when a Briton wants a crop,
He ought to go to a British shop.
In the Strand. In the Strand. In the Strand. In the Strand,
And not to a Foreign Barber.[2]
Written by Sandip Kana
[1] Victoria and Albert Museum Collections, Song sheet cover for 'The Modern Sweeney Todd', by Charles Osborne, https://collections.vam.ac.uk/item/O1152702/h-beard-print-collection-print-charles-sheard/ [Accessed August 2022].
[2] Barry Anthony, Murder, Mayhem and the Music Hall, (London: I.B. Tauris & Co Ltd, 2015), p. 211.
In this exhibition
- Artistic Representations of the Strand by Theo Roberts
- Horological Culture
- The London Burkers
- The Demon Dentist’
- The operation
- Fraudulent behaviour
- Victims accounts from the Old Bailey
- Representations in popular culture
- Gender Performance on the Strand
- Female agency on the Strand
- Strand Life in Trade-cards and Receipts
- Exhibition Bibliography