Calendar: 1898-1899 Page 342
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338 PF PARTMRNT mil Ι ΑΠΙΚΗ HARMONY COUNTERPOINT AND COM POSITION ן PROFESSOR VERNHAM Assisted by Dr HAMILTON ROBINSON Elkmkntary Thursday 11 Michaelmas Term Introduction Explanatory of the distinction between Harmony and Counterpoint and general view of the subject Harmony up to Four Parts the Common Chord Discords Chords of the Dominant Seventh Inversions Part-writing and Elementary Counterpoint Lent Term Harmony Chords of the Ninth Inversions Suspensions Counterpoint in all the species two parts Easter Term Advanced Harmony Chords of the Eleventh and Thir- teenth Chromatic Discords Suspensions Counterpoint up to Three Parts Text-Boohs Cummings Rudiments of Music" Novello Stainer Harmony" 28 Novello Bridge 11 Counterpoint" 2s Novello Advanced Thursday 12 noon Advanced Harmony Form Analysis Orchestration Advanced Counterpoint Double Counterpoint Imitation Canon and Fugue This work will be illustrated from the vocal instrumental and orchestral scores of the Oreat Masters Text- Books Stainer Composition Novello Front 41 Instrumentation" 2s Novello Bridge Double Counterpoint" Novello Higgs Fugue" 28 Novello The following books are also recommended Stainer 44 Treatise on Harmony Novello Prout "Counterpoint Augener Pauer 44Musical Forms יי Novello
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