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  Item Reference: KCLCAL-1889-1890-386

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382 department for ladies Emphasis-of Accent of Sense and Organic Modulation Cadence and Rhythm Reading-Articulate Intelligent Dramatic Declamation-Senatorial Clerical Theatrical Facial Expression-its Anatomy-Appropriate and Inap propriate Representation illustrated by diagrams Gesture-Repression Expression-Antics of Fashion- False Art-Rules Gesture-Natural Grace opposed to Terpsichorean- Balance the Foundation illustrated by diagrams 10 Rhythmic Gesture-Time-Fitness-Individual Idio- syncracies Easter Term Ancient Orators Voice-Trainers of Greece Modern Orators Voice-Training in Europe and America Popular Oratory-Audiences Recitation as an Ac- complishment-as Profession Amateur Acting and Stagtf-Management Professional Acting and Stage-Management The Value of Criticism 10 The Higher Purposes of Oratory HAEMONY COUNTERPOINT AND COMPOSITION By Professor Vernham Jdnior Division Thursday 11 15-12 15 Michaelmas Term ן Introduction Explanatory of the distinction between Harmony and Counterpoint and general view of the subject Harmony up to Four Parts the Common Chord Discords Chords of the Dominant Seventh Inversions Part-writing and Elementary Counterpoint
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