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  Item Reference: KCLCAL-1852-1853-371

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THE SCHOOL 367 μή θηκτί ν tear φάσγανον δι ήπατος τυραννον τον τε γήμαντα κτάντ κάπειτα μεί'ζω ξυμφοράν Χάβτ τινά δεινή yap ούτοι βαδίως ye σνμβαΧων εχθραν tis αυτή καΧΧίνικον ασεται άλλ' ο'Ιδε παίδες εκ τρόχων πεπαυμενοι στε'ιχουσι μητρός ουδέν εννοούμενοι κακών veayap φροντϊς ουκ αΧγεϊν φιΧεΊ What other verbs follow the construction of άνεξεται7 Quote instances of similar construction from Virgil and Milton Ύνραννον-to whom does this refer and what emendation on this account has been proposed by Scholefield How does Porson account for the various readings ασεται and 0'ίσεταιΊ Distinguish between τροχός and τρόχος Translate vv 77 and 78 Ύρο άπω όμεσθ' άρ el κακ6ν προσοίσομεν veov παΧαιφ ττρϊν το'δ' εζηντΧηκεναι Quote other passages from Euripides in which εξαντλεΐν is used in similar sense What is the Latin word corresponding to it Illustrate the force of πρϊν with the present perfect and aorist Infinitive and give Elmsley's Canon respecting its use with the Subjunctive Translate vv 234-237 As πρώτα μεν δεΐ χρημάτων υπερβολή πόσιν πρίασθαι δεσπότην τε σώματος ΧαβεΊν κακοΰ yap τοΰτ' ετ aXyiov κακόν Τΐόσιν πρίασθαι Explain this Anachronism and state the practice that prevailed in the time of Jason What is the usual difference between γαμεϊν and γαμεΐσθαι9 Is this distinction preserved in this play If not quote instances where it is neglected and correct the following passage so as to confirm the rule Tdv 51Wa τ αύτφ θυγατερ' 'Ί ν τ iy-ηματο -V 264 At what Festivals did the dramatic performances take place at Athens and during which of these festivals were the pieces intended for competition generally represented What plays were united with the Medea to form the τετραλογία
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